martedì , 29 Settembre 2020

Tag Archives: Oscillazione

Gennaio, 2018

  • 15 Gennaio

    Ryoji Ikeda | data.path

    Born in 1966, the japanese Ryoji Ikeda started working in the world of music, a field that he would soon face up to the computer and from which he would jump towards visual creation and the multidisciplinary use of very varied artistic techniques, such as performance and the installation. Self-taught, he achieved with his technique an extremely precise aesthetic, to open …

Dicembre, 2017

  • 21 Dicembre

    Maurizio Chiantone | Skēnè :: InVisible Streams

    Skēnè The Poetics of Skēnè – Draft   /  This work is measured with iron, more precisely with non-disposed and rusted pipes, but theses, shiny, vibrant, stacked to structure windmill-like bamboo columns that rigid tools defined for drawing a useful volume. Building builder slaves will now become protagonists by becoming architecture themselves that is well placed in post-modern and new …

Novembre, 2016

  • 23 Novembre

    Pierre Schaeffer | Études de bruits (1948)

    History of Electroacoustic MusicPierre Schaeffer (1910-1995) was a graduate of the Paris Ecole Polytechnique, after which he went to work for Radiodiffusion Francaise (RF) as an engineer and broadcaster. In 1942, during the Nazi occupation, he convinced the RF to make him project director of research into a science of musical acoustics. He was able to use the station’s turntables, disc …

Gennaio, 2016

  • 16 Gennaio

    Velimir Khlebnikov

    Viktor Vladimirovich Khlebnikov was born in 1885 in Malye Derbety, Astrakhan Governorate, Russian Empire ( in present-day Kalmykia). He was of Russian, Armenian and Zaporozhian Cossack descent. He moved to Kazan, where he attended school. He then attended school in Saint Petersburg. He eventually quit school to become a full-time writer. Khlebnikov belonged to Hylaea, the most significant Russian Futurist …

  • 11 Gennaio

    Miguel Álvarez-Fernández – Bacchus

    “Bacchus”, a new installation by DissoNoiSex (Asia Piascik, Stefan Kersten and Miguel Álvarez-Fernández), presented at the Vinfonies Festival (Vilafranca del Penedès, Barcelona), 10-13 November 2011. “Bacchus” is based on the electrical conductivity of wine: even the slightest trace of fluid on the smooth, white surface closes an oscillatory feedback loop between three metal electrodes and produces a manifold of sounds, …

Dicembre, 2015

  • 7 Dicembre

    Elektronisches Monochord

    Das elektronische Monochord von Dr. Friedrich Trautwein stand nach seiner (nicht ganz vollendeten) Herstellung im Jahre 1954 im “Studio für elektronische Musik” des NWDR in Köln. Seiner intendierten Nutzung wurde es allerdings nicht zugeführt. Sei es, dass dieses trautonium-gleiche Musikinstrument einen zu großen Übungsaufwand erforderte oder einfach nur nicht den Erfordernissen der aufkeimenden deutschen Elektronikmusik entsprach (Stockhausen bevorzugte in jener …

Novembre, 2015

  • 24 Novembre

    Maurizio Chiantone | Enrico Pofi. Sound Art Zone

    Un punto di riflessione sui possibili scenari di un [questo] luogo virtuale. Il suono che dialoga con le arti e la creatività e diventa disciplina. La sua stessa natura lo rende un veicolo perfetto nell’interconnessione con i più diversi linguaggi. Come molti generi di arte contemporanea, l’arte del suono è di natura interdisciplinare, o assume forme ibride. La Sound Art può …

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