venerdì , 29 Marzo 2024

Microtonal

Giugno, 2016

  • 20 Giugno

    Paul Chain “Satan’s Future” Dying Edition | 2016

    il responsabile di RMEDL [Radical Matters – Editions/Label], un etichetta discografica / casa edritice indipendente, Sandro Gronchi ci presenta la nuova edizione dell’oggetto sonoro / multiplo, appena pubblicata. L’etichetta è specializzata in edizioni d’arte e da collezione, sound objects e multipli d’arte. Si tratta di un'”edizione morente” basta su un disco in ceramica sette pollici, riproducibile con un qualsiasi giradischi. L’oggetto sonoro in ceramica …

Marzo, 2016

  • 3 Marzo

    Dutch Designers print sound – Dirk van den Heuvel

    He states:  “When I first started researching 3D printing the technology was an exciting and interesting, but the desktop 3D printers were unable to produce objects at a human scale. Large and medium scale functional design objects that we use, like bowls, plates & decorative objects could not be made. The objects made with desktop 3D printers were also low …

Gennaio, 2016

  • 23 Gennaio

    Mika Vainio – Heijastuva

    Long and slowly developing title track Heijastuva is a Mika Vainio’s implementation of Robert Fripp and Brian Eno’s guitar feedback experiments from 70’s. B-side’s three ultra minimal and subtle tracks speak about light and fragility of life. Entitled Heijastuva, it’s comprised of four new tracks from the Finnish artist, including the long pieces ‘Heijastuva’ (a loop-based, slowly unfolding study in guitar …

  • 12 Gennaio

    Maryanne Amacher ‎– Sound Characters (Making The Third Ear) – 1999

    Maryanne Amacher (1943-2009) October 22, 2009 by Kyle Gann [For emendation to the above dates, see updates below.] The music world lost one of its most bizarre characters today, and I say that with the utmost affection. Maryanne Amacher was an amazing composer of sound installations, who occasionally taught courses at Bard. I first encountered her in 1980 at New Music America …

  • 5 Gennaio

    Douglas Leedy – Bhishma Xenotechnites

    Born in Portland, Oregon, Leedy studied with Karl Kohn at Pomona College and at the University of California, Berkeley, where he was in a composition seminar with membership including La Monte Young and Terry Riley. An orchestral hornist, harpsichordist, and singer, he studied South Indian music in Madras with K. V. Narayanaswamy, North Indian vocal music with Pandit Pran Nath, …

Idioms »